After saying they will and then saying they won't, Nine Inch Nails have finally have been re-announced as the Foo Fighters' main support at Marlay Park, Dublin.
Electro-rock godfather Gary Numan talks about his friendship with Nine Inch Nails, his appearance on The Mighty Boosh and the challenges of staying relevant after 30 years in the business.
With bands like New Order, Nine Inch Nails, Bauhaus and Snow Parol announced for the bill, this year's Coachella looks set to blast the Californian desert
Although Trent Reznor has been tried and been found guilty for taste crimes in the international court of pop-cultural opinion (his semi-legendary and frighteningly authentic pseudo snuff-movie, the Peter Christopherson-directed Broken, remains banned on this side of the Atlantic) personally speaking, I have generally found the singer’s fascination with extreme horror imagery, S&M and general underground depravity to be the least startling aspect of his estimable oeuvre.
COURTNEY LOVE’S dismissal of Trent Reznor as a farmboy who’d never really seen The Horror was glib but off-the-mark: any Deliverance fan will tell you there’s as much atrocity to be found in redneck terrortory as the urban sprawl, and Columbine scenarios are an epidemic endemic to the sticks, not the inner city.
So far, think classic '80s Depeche Mode, The Young Gods, Nine Inch Nails, Faithless and Death in Vegas - good goth/dance/pomp rock/freaked out fusion stuff - all shouty and melodramatic but still sweet and smooth
For the most important album of their post-Joshua Tree career, U2 loaded up on Nine Inch Nails, My Bloody Valentine and Sonic Youth records, whilst also taking account of rhythmic developments in Manchester and Detroit. The result was an intoxicating brew of hard-edged industrial klang (‘Zoo Station, ‘The Fly’) and funky, danceable grooves (‘Even Better Than The Real Thing’, ‘Mysterious Ways’).
Assuming they haven’t all grown up by now, Manson fans will adore every dark, juvenile flourish. For the rest of us, The High End Of Low serves as a cautionary tale of artistic regression.
The tour takes in dates in Auntie Annie’s, Belfast (September 26); Roisin Dubh, Galway (27); Savoy, Cork (28); Dolan’s, Limerick (30); Whelan’s, Dublin (October 1); and Nerve Centre, Derry (2).
After an early string of synth-pop classics (‘Are Friends Electric’, ‘Cars’, ‘She’s Got Claws’) Gary Numan survived a two-decade slump and became a cult icon. Now he’s back in road-warrior mode.
The all-day extravaganza that's taking place at Marlay Park on 22 August may have Kaiser Chiefs headlining, but the supporting bill alone is worth the ticket price.
Are they genuine punks or just an amped-up, radio-friendly version of the real thing? Good Charlotte‘s twin frontmen Benji and Joel wouldn’t like to say for certain.
Having delivered a storming set at Oxegen, pop-rock powerhouse NOISETTES confess a love for all things Irish in the Hot Press Signing Tent. Plus, they hold forth on their passion for everything from jazz to punk to heavy metal.
Not a bad ambition at all. But you have to think of yourself as well. When she did, Anne Sexton realised that she could only come, as it were, if she let herself go – and that meant being prepared to make a lot of noise indeed at critical moments. Everyone say: AAAAAAAAAGH……….
Roisin Dwyer catches up with electropop duo MGMT to discuss their greatest rock 'n' roll moment, Jools Holland and their growing reputation as popular music's new trouble-makers.
EDITORS’ new album finds them re-booting their sound with the help of super-producer Flood and the Prussian soldier’s helmet gifted to him by Bono. Also on the agenda when the band meet Stuart Clark are fatherhood, baby poo, Brooklyn block parties and stealing Michael Stipe’s megaphone.
Gary Numan is something of a phenomenon. He really should have become a relic of a bygone age, as relevant to 2006 as perms and Howard Jones. Yet thanks to some choice sampling (Sugababes, Basement Jaxx), countless credible endorsements, the 80s revival and a spectacularly obsessed fan base, Numan not only has never gone away, he is poised to make another comeback.
Having survived a flirtation with coke-addled infamy, nice-boy Britrockers Keane natter about the long road to recovery and how it feels to be Bret Easton Ellis' favourite band.
peter murphy meets the multi-faceted pelvis, whose debut album Who Are You Today marks them out as one of the most formidable new Irish
talents in years.
LCD Soundsystem's frontman James Murphy talks about working with Justin Timberlake, his Cork ancestors and recalls the time he almost hooked up with Arcade Fire
John Walshe travels to Berlin to see Ash in superlative live form on Paddy's night. And no wonder: the band reckon their new album, free all angels could put them in the Michael Jackson league! plus: why they're so down on Louis Walsh, Westlife and Ronan Keating and so up for Bono, John Hume, David Trimble and - wait for it - Darius of Popstars. Flash photography: Mella Travers
rom its sumptuous packaging onwards, there’s obviously been a bucketful of record company money spent here, perhaps in the hope that this will be the one to break the band on a worldwide level. It might well do that, but it won’t be down to any compromise on the band’s part.
Not so long ago mavericks and experimentalism were thin on the ground in Ireland. But with the growth of an independent scene, all of that has changed. for confirmation, look no further than the rise to eminence of The Jimmy Cake.
t certainly would, Joe. But you can have a toot on my megaphone if you like! Gavin Friday discusses the finer points of sexual politics not to mention the post-Freudian subtext to his stunning new meisterwork Shag Tobacco with Dr Joe Jackson. Our man in the white coat concluded: Gavin s time has come. But is the world finally read
With the death of Johnny Cash two weeks ago, music’s Mount Rushmore finally crumbled. From the hell-raising country outlaw of the ’60s to his final incarnation as a patriarchal figure intoning songs of guilt and redemption, Cash’s voice resonated down through the years with undimmed intensity. In this special Hot Press tribute to the Man In Black, Peter Murphy talks to Cash collaborators Sandy Kelly and U2, and recounts the turbulent life and times of one of the most iconic figures in 20th century music
How did Brandon Flowers, Ronnie Vannucci, Dave Keuning and Mark Stoermer go from the Las Vegas dive bar circuit to selling four million copies of their debut album, Hot Fuss? On the eve of the band's highly-anticipated Oxegen 2005 appearance, Stuart Clark talks to the people involved in the making of The Killers.
To entertain the notion that you are ‘forward-thinking’ with the implication that the bands around you are mired in the past, when your songs, sound and attitude are so patently a decade old, is odd and maybe delusional. This is not an argument for classicism, more an observation that it is just as conservative to lift from Suicide as Slade.
From strange days coming second in a yoghurt-sponsored competition and playing awful gigs sandwiched between boy bands, Damien Dempsey, with a little help from Shane, Sinéad and Christy, has survived and thrived. Eamon Sweeney meets a rap balladeer with a hit album, a social conscience and more than a few stories to tell.
In the second part of his examination of the cult of CHARLES MANSON, PETER MURPHY looks at the cult leader s trial, his continuing influence of left-field heroes and the controversy over his recordings. Also: BONO on U2 s decision to include Helter Skelter in their Rattle And Hum set.
GARBAGE are a band who absorb all the detritus, darkness and despair of the pre-millennial zeitgeist and spit it back out in a torrent of searing guitars, futuristic technological trickery and lyrics that freeze the blood. They've also made two of the most sinister pop records of modern times - the second of which, Version 2.0, is due for imminent release. PETER MURPHY met them in London to discuss sex, surveillance, studio strife, pre-2000 tension and their special fondness for The Beach Boys.
Bono, Adam and Larry. Not to mention the self-styled King Boogaloo himself, Mr B. P. Fallon, whose new book U2: Faraway So Close offers an intimate visual and verbal diary of the band’s world-record shattering ZOO TV tour. For good measure the, um, also self-styled Mr Ramalama talks about Jimi Hendrix and the Mafia connection, toting guns with Tone Loc, giving Little Richard a hard-on, and other little, um, side voyages into other territories, man. Er, tape recorder thingy: Joe Jackson.
Sci-fi revolutionary and reluctant cyberpunk, William Gibson marks the publication of his new novel pattern recognition by offering Peter Murphy a peek into the present and a brief history of the future.
For a former mod who once failed to get a prince review published in Hot Press, Mark Little has done pretty well for himself. Paul Nolan quizzes the author and broadcaster about Iraq, Washington, the West Wing, Ireland’s place in the world, politics, the media, Michael O’Leary, Bono and, of course, the smoking ban.
Full profiles on Faithless, Antony & The Johnsons, Slayer, The Who, Bell X1, Status Quo, The Flaming Lips, 50 Cent, Madness, Christy Moore, Elton John and Lionel Richie.
Ahead of their return to Ireland, Muse reveal they’re about to go through their U2 phase, talk about magic mushrooms and explain why, when it comes to conspiracy, they’re on Jim Corr's side.
30 years after the savage Tate/LaBianca murders that epitomised the dark side of the American hippy dream, CHARLES MANSON aka God aka The Devil, continues to exert a potent influence on popular culture. In part one of a two-part feature, PETER MURPHY recalls the twisted vision of a charismatic man whose personal interpretation of The Beatles Helter Skelter helped give rise to one of the crimes of the century.
The HP-7 Summit is back with Michelle Doherty, Rocky O'Reilly, Niall Breslin, Mark Greaney, Niamh Farrell, Messiah J and Danny O'Donoghue sat around the only table that matters this Christmas.
EMINEM s Marshall Mathers LP has gone 12 times platinum in Ireland. He s been voted Time magazine s Man Of The Year. And, having broken through into the mainstream with the remarkable Stan , he s just been nominated for four Grammys. So why is the world suddenly falling at the feet of a venomous bottle-blonde rapper who s penned some of the most repugnant, hate-filled lyrics since the invention of the gramophone record? Peter Murphy tells one of pop music s most extraordinary stories ever
HAILING FROM Macroom, Co. Cork are the recently formed Coil, a four-piece who trade in a type of narcotic Goth pop music. The group’s line-up is Ann-Marie Ryan (vocals), Mark Tangney (guitar), Paul Kelleher (bass) and Rory Hanly (drums).
Christy Moore declared “some of the finest songs I know are American, as are some of the finest people”. He expressed resentment that his involvement in the gig should be seen as anti-American. Moore made his point in the very simple but effective gesture of playing mostly American-written songs, before introducing The Haliburtons from Texas, who delighted the crowd with their own songs of protes
Gathering together Dublin maverick Stano’s work from his first recording, ‘Room’ in 1982, to the title track, recorded this year, Reverse Presence is an absolute gem of a collection and a must-have for alternative muso lovers.
Billy Corgan didn’t get to be Billy Corgan without a serious sense of the perverse, and these days it’s there for all to see. It’s in the little things; like his tour stage design of grotesque twisted reptilian metal, Alien-esque; or his insistence on arriving on the Ambassador stage in a trenchcoat, winter scarf and knee-high army boots, while the midsummer heat has everyone else in the venue evaporating.
Do you remember the music that was playing when you got your first kiss? And what was the soundtrack the first time you had sex? Often it’s not the overtly sexy songs that have the deepest sexual resonance…
t's difficult to conceive of a more suitable environment for Decal's moody electronica or Coil's foreboding ambient compositions than the baroque surroundings of City Hall
The decision by the DEAF organisers to take electronic music out of the clubs and into more unorthodox venues is increasingly looking like a masterstroke. It's difficult to conceive of a more suitable environment for Decal's moody electronica or Coil's foreboding ambient compositions than the baroque surroundings of City Hall.
Those who like a drag can at least take consolation from the fact that anti-smoking legislation goes completely unobserved in the afterlife. By Caught In The Net's guest writer Teddy de Bono.
Fay Wolftree ponders whether or not attending a Pink Floyd concert was an inspired move or a momentary lapse of reason. Either way, the bell was in Earls Court.
Q: Which top Irish quiz-masters’ pathological obsessions include Something Happens, Shamrock Rovers and the amount of shopping days left to the next Suede gig? A: George “You Started, So I’ll Finish” Byrne
